
University of Illinois Urbana-Champaign
- 601 E John Street Champaign, IL 61820-5711
- (217) 333-1000
- Visit website
- Retention rate: 95%
- Programs offered: 17
Source:IPEDSCollege Scorecard
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A bachelor’s in photography is the degree that gives you four years of structured critique, a sequenced lighting and workflow education, and a senior portfolio built under faculty supervision – and that combination, not the diploma line, is the actual product. Photography is not a licensed field and clients do not check transcripts, so the honest case for the bachelor’s is that it produces a better photographer with a better body of work and a stronger network than most people build on their own in the same four years. Photographers had a median annual wage of $44,660 (BLS OEWS, May 2025), and a large share of the occupation is self-employed, so the degree also has to teach you how to run a business.
Two degree titles dominate. The Bachelor of Fine Arts (BFA) in photography is a professional studio degree in which most credits are art and photography coursework. The Bachelor of Arts (BA) in photography or digital photography is a liberal-arts degree with photography as the major. Both are offered online at accredited institutions. This page explains what each one involves, what the coursework covers, what equipment you will need to supply, and how to compare programs without fixating on a degree title.
Yes. Accredited institutions offer both BFA and BA programs in photography and digital photography fully online. The online versions substitute your own camera and workspace for the campus studio and deliver critique through video sessions, annotated image review, and portfolio platforms. Confirm that the specific program is fully online and not a campus program with some online courses.
Choose the BFA if you want maximum studio time, the most critique, and a thesis-level portfolio, and you are certain photography is the field. Choose the BA if you want a second major or minor, a broader liberal-arts education, or a degree that reads well for roles outside photography such as marketing, communications, or design. The BFA usually devotes roughly two-thirds of credits to art and photography; the BA devotes closer to a third.
BFA programs commonly require a portfolio review for admission or for advancement into the upper-division studio sequence after a foundation year. BA programs more often admit on the standard institutional application and review work as you progress. Ask each program whether a portfolio is required at entry, at a sophomore or junior review, or only at graduation.
Approximately 120 semester hours, typically four years full-time. In a BFA, the photography and art coursework is a large block spanning all four years; in a BA, it is generally an upper-division major of roughly 36 to 48 credits within that total.
At minimum, a camera with manual exposure control and interchangeable lenses, one or two lenses, a tripod, a computer capable of running Lightroom and Photoshop, and a calibrated monitor. Lighting courses typically add a strobe or continuous light with a modifier. Programs publish an equipment list; read it before enrolling, because the cost is on you rather than in tuition.
No. Clients and most employers hire on the portfolio and referrals. The degree matters for salaried positions that list it, for teaching at the college level (where an MFA is usually the actual requirement), and for the quality of work and network you leave with.
For a full map of this program area, start here: Photography Program Guide
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Source:IPEDSCollege Scorecard

Source:IPEDSCollege Scorecard

Source:IPEDSCollege Scorecard

Source:IPEDSCollege Scorecard

Source:IPEDSCollege Scorecard

Source:IPEDSCollege Scorecard

Source:Accreditor: New England Commission on Higher EducationIPEDSCollege Scorecard

Source:Accreditor: Middle States Commission on Higher EducationIPEDSCollege Scorecard
The BFA is the professional studio degree. It typically opens with a foundation year shared with other art majors – drawing, two-dimensional and three-dimensional design, color, and art history – before the photography sequence takes over. From there, expect a lighting sequence, a digital workflow sequence, a series of studio courses organized by genre or approach, and a senior thesis or capstone that produces an exhibited or published portfolio. Critique is constant: every studio course reviews work formally, and the culture of the degree is built on it. The BFA is the right choice if you want to become a photographer and are not hedging. The tradeoff is that it leaves little room for coursework outside art, and its value in a non-photography job market rests on the portfolio and the software skills rather than on the degree title.
The BA places photography inside a liberal-arts degree. The photography major is smaller, general education is larger, and you have room for a minor or second major. Programs titled “digital photography” often lean commercial and technical – workflow, retouching, video, and content production for marketing – while programs titled simply “photography” may lean toward documentary and fine-art practice. The BA suits students who want optionality: photography plus business, communications, or design, with a degree that reads as a general bachelor’s to employers outside the field. See the communications program guide and the marketing program guide for the fields most often paired with it.
Some schools offer photography as a concentration inside a BFA in studio art, a BA in visual arts, or a BFA in graphic design. This is worth considering if your interest is split between photography and design, because it builds layout, typography, and design software skills that expand the salaried market considerably. Graphic designers had a median annual wage of $62,960 (BLS OEWS, May 2025), and the two skill sets overlap heavily in content-production work. See the graphic design program guide for what that degree involves.
| Course Topic | What You Learn |
|---|---|
| Foundations of Photography | Exposure, focal length, depth of field, motion, and the camera as an instrument |
| Composition & Visual Literacy | How the frame is organized, how the eye moves, and how images carry meaning |
| History of Photography | The medium from its origins to contemporary practice, and why it matters to clients and critics |
| Studio & Location Lighting | One-light through multi-light setups, modifiers, strobe and continuous light, and lighting on location |
| Digital Workflow (Lightroom) | Cataloging, raw processing, batch editing, file management, and archiving |
| Post-Production (Photoshop) | Retouching, compositing, masking, layer-based correction, and output preparation |
| Color Management | Calibration, profiles, soft-proofing, and consistency from capture to print or screen |
| Editorial & Commercial Photography | Shooting to a brief, working with art directors, product and portrait assignments |
| Video & Motion Basics | Frame rates, codecs, basic editing, and shooting stills and motion on the same job |
| Business of Photography | Pricing, estimates, usage licensing, copyright, releases, contracts, and marketing |
| Senior Thesis / Portfolio | A sustained body of work, professionally presented, reviewed by faculty |
Photography programs rarely have a demanding academic prerequisite chain, but they do have a strict studio sequence. Lighting II assumes Lighting I; the advanced studio assumes the digital workflow courses; the thesis assumes everything. Because studio courses are often offered once per year and capped by section size for critique, a missed course can delay you a full year. Before you enroll, confirm:
If you are moving faster than a standard four-year plan, compare accelerated photography programs.
Transfer credit can shorten a bachelor’s, particularly for general education and, at some schools, for foundation studio courses completed in an associate program. Studio credit is evaluated more cautiously than lecture credit, and many programs require a portfolio review to award it. Confirm:
See Affordable Online Photography Degrees for more on managing total program cost.
Verify that the institution holds accreditation from a recognized institutional accreditor – such as HLC, MSCHE, or SACSCOC – through the U.S. Department of Education database. That is the check employers and other institutions actually rely on.
A bachelor’s is the right level if you want the full studio education, a thesis-level portfolio, and a degree that supports salaried, teaching-adjacent, or graduate paths. An associate in photography delivers the craft and workflow foundation in about two years and is a reasonable entry point for freelance work, with a transfer path to the bachelor’s. A photography certificate is the right choice if you already hold a degree or already work in the field and need a specific skill set – commercial lighting, retouching, or the business side – without a second degree.
Compare degree options:
Data verified: August 25, 2026. Salary, employment, and tuition figures on this page are sourced from the U.S. Bureau of Labor Statistics (OEWS May 2025; Employment Projections 2024–2034) and the U.S. Department of Education College Scorecard (2023 cohort). The source agency and data year are cited inline with every statistic.
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