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Key takeaway: A film degree leads to a cluster of moving-image occupations rather than one job title. Producers and directors had a median annual wage of $90,360. Film and video editors earned $75,420 and camera operators $74,990. Special effects artists and animators earned $102,030 and audio and video technicians $58,100 (Bureau of Labor Statistics, May 2025 OEWS). None of these jobs is licensed, and all of them hire on the reel and on credits. Post-production and technical roles have the most openings; directing has the fewest entry-level ones.
A film degree is training in moving-image storytelling: shot design, lighting, sound, editing, writing, and the logistics of getting a project made. The industry that hires for it is bigger than feature film. Streaming, broadcast, corporate and brand video, agencies, universities, government, houses of worship, live events, and games all pay people to shoot and cut. That breadth is the honest answer to “can you get a job with this degree,” and it is also why the reel matters more than the transcript: employers can watch your work before they interview you.
| Occupation | Median annual wage | Projected change, 2024-2034 | Annual openings |
|---|---|---|---|
| Special effects artists and animators | $102,030 | 1.6 percent | 5,000 |
| Producers and directors | $90,360 | 4.9 percent | 12,800 |
| Writers and authors | $76,910 | 3.6 percent | 13,400 |
| Film and video editors | $75,420 | 4.0 percent | 3,600 |
| Camera operators, television, video, and film | $74,990 | 1.2 percent | 2,900 |
| Sound engineering technicians | $73,130 | -1.7 percent | 1,200 |
| Graphic designers | $62,960 | 2.1 percent | 20,000 |
| Audio and video technicians | $58,100 | 3.3 percent | 7,300 |
| Occupation | Avg. annual openings |
|---|---|
| Graphic Designers | 20,000/yr |
| Writers and Authors | 13,400/yr |
| Producers and Directors | 12,800/yr |
| Audio and Video Technicians | 7,300/yr |
| Special Effects Artists and Animators | 5,000/yr |
| Film and Video Editors | 3,600/yr |
| Camera Operators, Television, Video, and Film | 2,900/yr |
| Sound Engineering Technicians | 1,200/yr |
Source: Bureau of Labor Statistics, May 2025 OEWS national medians and BLS Employment Projections, 2024-2034. Median means half of workers in the occupation earned more and half earned less. Much of this field is freelance and project-based, and annual earnings depend heavily on how many weeks of the year you work.
Producers and directors. The occupation covers directing and producing across film, television, streaming, commercials, corporate video, live events, and news. The national median annual wage was $90,360 with the 10th percentile at $45,780 and the 90th at $198,540 (Bureau of Labor Statistics, May 2025 OEWS). Employment was 167,000 in 2024, projected to grow 4.9 percent through 2034, with 12,800 openings per year (BLS Employment Projections, 2024-2034). That is the largest and fastest-growing occupation in this group, but the openings are not entry-level: producers and directors are usually promoted from production assistant, coordinator, assistant director, or line producer roles after years of credits.
Film and video editors. Editors assemble footage into a finished piece: story structure, pacing, continuity, sound, and delivery. The national median annual wage was $75,420 with the 10th percentile at $40,280 and the 90th at $148,550 (Bureau of Labor Statistics, May 2025 OEWS). Employment was 43,500 in 2024, projected to grow 4.0 percent, with 3,600 openings per year (BLS Employment Projections, 2024-2034). Post houses, broadcasters, agencies, streaming platforms, and in-house corporate teams all hire editors, and a meaningful share of the work can be done remotely. Assistant editor is a real entry point that rewards media management discipline.
Camera operators, television, video, and film. Operators run the camera on narrative sets, live broadcasts, documentaries, sports, and events. The national median annual wage was $74,990 with the 10th percentile at $38,520 and the 90th at $135,180 (Bureau of Labor Statistics, May 2025 OEWS). Employment was 36,400 in 2024, projected to grow 1.2 percent, with 2,900 openings per year (BLS Employment Projections, 2024-2034). This is the most location-dependent role in the group: the work concentrates in production markets, and freelance day rates vary by market, union status, and specialty.
Special effects artists and animators. The highest median in this group at $102,030 – with the 10th percentile at $58,600 and the 90th at $177,110 (Bureau of Labor Statistics, May 2025 OEWS). Employment was 57,100 in 2024, projected to grow 1.6 percent, with 5,000 openings per year (BLS Employment Projections, 2024-2034). This is a distinct technical discipline: 3D, compositing, simulation, and motion graphics, built on specific software pipelines. A general film degree does not prepare you for it unless the program has a real VFX or animation track.
Audio and video technicians. Setup, operation, and maintenance of audio and video equipment for events, venues, broadcast, education, and corporate settings. The national median annual wage was $58,100 with the 10th percentile at $37,990 and the 90th at $100,650 (Bureau of Labor Statistics, May 2025 OEWS). Employment was 92,300 in 2024, projected to grow 3.3 percent, with 7,300 openings per year (BLS Employment Projections, 2024-2034). This is the most accessible salaried entry into the field, it exists in every metro area, and it is where a lot of film graduates actually start.
Sound engineering technicians. Recording, mixing, and reproducing sound for film, television, music, and live production. The national median annual wage was $73,130 with the 10th percentile at $37,570 and the 90th at $137,370 (Bureau of Labor Statistics, May 2025 OEWS). Employment was 16,900 in 2024 and is projected to decline 1.7 percent through 2034, with 1,200 openings per year (BLS Employment Projections, 2024-2034). It is the only shrinking occupation on this list and the smallest, which is worth knowing before you specialize in it.
Writers and authors, and graphic designers. Screenwriting sits inside the writers and authors occupation, median annual wage $76,910 with 13,400 openings per year (Bureau of Labor Statistics, May 2025 OEWS; BLS Employment Projections, 2024-2034); if that is the target, compare creative writing. Motion graphics and title design sit near graphic designers, median annual wage $62,960 with 20,000 openings per year, the largest opening count in this group (Bureau of Labor Statistics, May 2025 OEWS; BLS Employment Projections, 2024-2034); compare graphic design if that is the interest.
Nothing in this field is licensed, so the practical question is not which credential unlocks which title. It is what your reel shows and whose name is on your credits.
The online bachelor’s in film is the standard entry credential. It gives you the full craft sequence, four years of graded projects, collaborators, and a capstone. It is also a general bachelor’s degree, which matters for the many adjacent jobs – corporate video, communications, marketing content – that ask for a four-year degree of any kind.
The online master’s in film is a career-change route, a concentrated second pass at production, or the teaching credential. An MFA is the terminal studio degree colleges look for in production faculty. An MA is the research degree for film studies, criticism, archives, and programming. Neither is required for industry work, and neither substitutes for credits.
Producer, director, assistant director, production coordinator, production assistant, film and video editor, assistant editor, colorist, camera operator, assistant camera, gaffer, grip, production sound mixer, audio and video technician, motion graphics artist, and screenwriter. Outside entertainment, the same skills hire into corporate video, agency content, university media offices, government communications, houses of worship, and live events.
It depends entirely on the role. BLS May 2025 national medians are $102,030 for special effects artists and animators, $90,360 for producers and directors, $75,420 for film and video editors, $74,990 for camera operators, $73,130 for sound engineering technicians, and $58,100 for audio and video technicians (Bureau of Labor Statistics, May 2025 OEWS). Freelance and project-based earnings vary more widely than these medians suggest, because they depend on how much of the year you are booked.
Among the moving-image occupations, producers and directors has the most at 12,800 openings per year, followed by audio and video technicians at 7,300 and special effects artists and animators at 5,000 (BLS Employment Projections, 2024-2034). Editing has 3,600 and camera operating 2,900. The producer and director openings mostly go to people already in the industry, which is why technician and post roles are the realistic first jobs.
No. None of these occupations is licensed or requires a specific credential. Employers hire on the reel, on credits, and on referrals. The degree is a structured way to build all three, plus a bachelor’s credential that adjacent employers ask for. If you already have a strong body of work and industry contacts, the degree adds less.
Parts of it. Audio and video technician work and in-house corporate and institutional video are the steadiest, because the employer is not the entertainment industry. Freelance production work is cyclical and follows production spending, and sound engineering technician employment is projected to decline 1.7 percent through 2034 (BLS Employment Projections, 2024-2034). Plan for variable income early in a freelance career.
It depends on what you build with it. The is an online film degree worth it page walks through the trade-offs, including the cost of equipment and the reality that the reel does the hiring.
Data verified: September 5, 2026. Salary, employment, and tuition figures on this page are sourced from the U.S. Bureau of Labor Statistics (OEWS May 2025; Employment Projections 2024–2034) and the U.S. Department of Education College Scorecard (2023 cohort). The source agency and data year are cited inline with every statistic.