
Stanford University
- Retention rate: 98%
- Programs offered: 100
Source:IPEDSCollege Scorecard
BestOnlineCollege.org is an advertising-supported website. Many of the school and program listings that appear on this site are from partners who compensate us, and this compensation may affect how, where, and in what order listings appear (such as featured placements). This compensation does not influence our editorial content, evaluations, or rankings, which are determined independently using publicly available data. We do not review or feature every school or program available in the marketplace. Our goal is to provide accurate, unbiased information so you can make informed decisions. Read our full Advertiser Disclosure.
A bachelor’s in art history is nearly always a BA. A few schools award a BFA in art history or an art history track inside a studio degree, and many students take it as a concentration inside a broader humanities or liberal arts major. All of those are legitimate. What separates a real art history major from a label is whether the upper-division coursework is seminar work with primary research, or a longer stack of surveys.
This page covers the degree titles you will meet, what the four years actually contain, why the internship matters more than most applicants realize, and how to compare programs without relying on the catalog’s marketing pages.
Yes. Accredited institutions offer the BA in art history at a distance, and the diploma does not record the delivery mode. In IPEDS 2024, 339 institutions reported bachelor’s-or-higher completions in art history, and 253 of them reported offering distance-education programs (IPEDS 2024). Availability of a fully online art history major is narrower than that count suggests, because many of those institutions offer distance education in other subjects.
Studio art, graphic design, and photography are production degrees evaluated on a portfolio and critique. Art history is a research and writing degree evaluated on papers. You will look at an enormous amount of work and make almost none of it. Students who want both usually take a studio minor or a double major rather than expecting one degree to do both jobs.
Approximately 120 semester hours, typically four years full-time. The art history core usually runs 33 to 45 credits depending on the school, with the surveys early and the seminars in the junior and senior years. Confirm each school’s totals rather than assuming they match.
Often at least one at the undergraduate level, and reading knowledge of German, French, or Italian is the traditional expectation for European fields. Graduate programs frequently examine it. If you already know which region you want to study, start the relevant language early, because it is the requirement that most often delays students later.
More than the GPA does, for museum and gallery hiring. Collections, registration, curatorial, education, and gallery internships are how entry-level candidates prove they can handle objects, records, and deadlines. Ask an online program directly how it places students in an internship near where they live before you enroll.
For some jobs. Gallery assistant, museum educator, visitor services, development, registration assistant, collections assistant, and auction-house administrative roles hire bachelor’s graduates who have internships. Curatorial work usually does not: most curator postings ask for a master’s, and large art museums often expect a doctorate. See how to become a museum curator for that path.
Every school list on this site is ordered by the BOC Score, computed from the most recent school-level data published by the U.S. Department of Education (College Scorecard and IPEDS). To qualify, a school must be currently operating and accredited by an agency recognized by the U.S. Department of Education. Each eligible school is then scored on five measures, percentile-ranked against schools at the same credential level:
Schools without enough outcome data appear after ranked schools, without a score. Advertising never affects these rankings. Read the full methodology.

Source:IPEDSCollege Scorecard

Source:Accreditor: Western Association of Schools and Colleges Senior Colleges and University CommissionIPEDSCollege Scorecard

Source:IPEDSCollege Scorecard

Source:IPEDSCollege Scorecard

Source:Accreditor: New England Commission on Higher EducationIPEDSCollege Scorecard

Source:IPEDSCollege Scorecard

Source:Accreditor: Western Association of Schools and Colleges Senior Colleges and University CommissionIPEDSCollege Scorecard

Source:Accreditor: New England Commission on Higher EducationIPEDSCollege Scorecard
The most common route. The department sets a survey sequence, a methods course, distribution requirements across periods and regions, and one or more seminars with a research paper. This is the version that prepares you for a graduate application, because the seminar paper is the writing sample.
Many online catalogs offer art history as a concentration within a liberal arts, humanities, or interdisciplinary studies degree. You get fewer art history credits and more breadth. That is a reasonable choice if the museum job you want cares about the bachelor’s rather than the subject, and a weaker one if you plan to apply to an art history MA, where committees read the transcript closely.
Pairing the major with library science coursework, a museum studies certificate, arts administration, nonprofit management, or business puts an employable skill next to the subject knowledge. Registrars need database and records discipline. Development officers need fundraising skill. Educators need teaching practice. None of that arrives automatically with the survey sequence.
Course titles vary, but most programs cover the same territory:
Most programs open with the survey sequence and a writing-intensive introduction, then gate the seminars behind the methods course. Practically, that means the sequence matters: if methods is offered only in the fall and the seminars require it, a spring start can cost you a year. Ask for the two-year rotation, not the catalog list.
Two other sequencing traps come up online. Language courses may sit outside the department and may not be available at a distance in the language your field needs. Internship credit often requires an approved site and a faculty supervisor, and finding both takes a term of lead time. Handle both in the first year rather than the third.
Art history transfers unevenly. General education, composition, and introductory surveys usually move without difficulty. Upper-division seminars and methods courses transfer less readily, because departments want their own methods training before their own seminars. Studio credits rarely substitute for art history credits even when the course title contains the word art.
When you evaluate a transfer offer, ask three questions in writing: how many credits the school will accept in total, how many will apply to the art history major rather than to free electives, and whether the residency requirement forces a minimum number of upper-division credits in residence. The difference between the answers is what actually determines your time to completion.
Confirm recognized institutional accreditation through the U.S. Department of Education database. There is no programmatic accreditor for art history. The National Association of Schools of Art and Design accredits art and design units, so a program housed inside an art school may fall in that scope, but that is not an art history accreditation, and its absence is not a warning sign for a university department.
The undergraduate years are when museum and gallery experience is cheapest to get. Volunteer at a local historical society, county museum, university gallery, or archive. Take the visitor-services or gallery-attendant job if it is available. Ask to work on a cataloguing backlog, which is unglamorous, always needed, and directly relevant to registration and collections jobs.
Keep evidence. A finished seminar paper, a catalog entry written to museum format, a provenance reconstruction, an exhibition proposal, or a database cleanup you can describe in specifics all read as work rather than as coursework. Graduates who present that material compete better than graduates who present a transcript.
A bachelor’s is the entry credential for museum, gallery, and arts-administration support roles and for any job that simply wants a four-year degree. A master’s is the working credential for curatorial and specialist work, and at large art museums the doctorate is common. Nothing in art history is licensed, so the question is not what a credential authorizes. It is which door a hiring committee will open, and those doors are stacked by degree level more strictly here than in most humanities fields.
Data verified: September 5, 2026. Salary, employment, and tuition figures on this page are sourced from the U.S. Bureau of Labor Statistics (OEWS May 2025; Employment Projections 2024–2034) and the U.S. Department of Education College Scorecard (2023 cohort). The source agency and data year are cited inline with every statistic.